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This will be fine for mixing music in Dolby Atmos as well as a lot of Dolby Atmos Home Entertainment content, including content for Netflix. The most cost-effective point of entry is to get the Dolby Atmos Production Suite, irrespective of which DAW you have. You will need one of these to be able to create Dolby Atmos content. It's available for purchase via the Avid marketplace, or as a 30-day free trial via the Dolby Developer portal and cost $299. The Dolby Atmos Production Suite is the version of the Renderer that can be used on the same macOS computer, alongside your DAW. There are 3 options, to choose from depending on the end-use of the content you are creating… The Hardware Rendering and Mastering Unit (RMU) - Theatrical Film Releases But to work in Dolby Atmos, the renderer is a non-negotiable part of the system. Which hardware and/or software you choose to run the Renderer application on and how you connect audio in and out of it is very much dependant on your creative and workflow needs.

The Renderer enables you to output your Dolby Atmos mix to speakers, headphones, and/or a master-file for delivery to encoding. If you are going to mix in Dolby Atmos you will need to have a Dolby Atmos Renderer, which is a device that works alongside your DAW to create up to 128 inputs which can be any combination of objects and bed channels in a Dolby Atmos mix. We look at which DAWs you can use, what monitoring system you will need, and what additional software you will need. In this article we are going to explore what the minimum requirements are for both hardware and software are, to be able to mix in Dolby Atmos.